“Wilson’s importance in the pantheon of Australian music continues to grow. This is not just due to his stature as an improvising saxophonist or a composer (although either would be reason enough). It’s partly due to his keen sense of being heir to such Australian pioneers as Mark Simmonds, Bernie McGann and Allan Browne. It is also due to his Browne-like idiomatic openness, so the playground is the whole gamut of jazz, from its earliest New Orleans roots to the golden tenor saxophone era of Coleman Hawkins and Ben Webster; from bebop to free jazz and jazz inflected with rock, funk and diverse music from around the globe. This quartet can dig deep anywhere across that gamut. …like looking at the blues through a dissonant kaleidoscope.”

“the most potent tenor to be heard in Australia these days… stupendous power, his sound so massive it seemed to threaten the structural integrity of the saxophone’s bell” Sydney Morning Herald